My TV & FILM highlights from 2022
Hi There, This fortnight, in my last newsletter of 2022, a look back at the best TV shows and films I saw in 2022 (not necessarily first shown in
I have been writing these fortnightly newsletters for over a decade on many different aspects of screenwriting and storytelling. So this has grown into a fairly huge online resource for screenwriters.
We have tried to break the newsletters into useful categories so that you can access the subjects that interest you.
I have covered many subjects over the years – including PITCHING, CHARACTERISATION, LITERARY AGENTS, many recommendations of inspiring and brilliant shows and scripts; and interviews with many fascinating screenwriters and producers.
I hope you will have fun dipping into some of the old newsletters; and I hope that they will be helpful and energising for your screenwriting.
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Hi There, This fortnight, in my last newsletter of 2022, a look back at the best TV shows and films I saw in 2022 (not necessarily first shown in
Hi There, This week, another introduction by a writer to their script in my website script library – https://script-consultant.co.uk/wp-content/uploads/2022/01/Sea-Change.pdf This is actually a stage play. I think I first
MUIRINN LANE KELLY I have thought twice about writing this, wondering if it’s presumptuous, not really my place to do so. But these are my honest feelings about someone I
Hi There, This week the second in an occasional series of write-ups by the writers about the scripts they have generously allowed me to include in my SCRIPT LIBRARY. This
Hi There, In this newsletter, I want to look at the issue of – FAMILIAR STORYTELLING TROPES By which I mean – all those devices that we, who have watched
Hi There, This week, a series of quotes and notes from the guest talks from a number of eminent and excellent writers, producers, script editors, agents, commissioning executives on the
Hi There, This is the first in an occasional series – written by writers about their scripts in my SCRIPT LIBRARY. Clearly the reason I wanted to include the
Hi There, CHANNEL 4 SCREENWRITING COURSE 2023 I hope you’ve all had a good summer and are ready for a successful and creative autumn. One of my summer highlights was
Hi There, This fortnight a random selection of thoughts about different aspects of screenwriting. CREATING CHARACTERS PERSON PLACE PROP A character exercise based on observing real people. I was
WHAT IS GOOD WRITING? I recently read the novel Sorrow And Bliss by Meg Mason. It’s a wonderful book. The writing gave me such pleasure. On almost every page there
I have been creating industry relevant blog posts and newsletters for many years. These posts provide invaluable insight and advice to both scriptwriters and producers. I’ve included a selection below, but to find specific categories and posts click on the link to visit my news page.
THIS IS A TRUE STORY Except, in the case of The Salt Path it turns out it may not be. I have read and enjoyed the book and this week went to see
Hi There, 20 SCREENWRITERS IN 1 ROOM FOR 2 DAYS This past weekend I ran my 2 day screenwriting course – for the first time for 3 years. I really enjoyed it and
Hi There, On Wednesday afternoon I was lucky enough to go to a matinee preview at the National Theatre of the revival of LONDON ROAD. This is a verbatim musical about the community
GREENLIGHT SCREENWRITING LAB: 1st Weekend Galway May 10-11 I was lucky enough to go to Galway earlier in May for the first weekend of this year’s GREENLIGHT SCREENWRITING LAB, a scheme for new
DRAMATIC IRONY by Tom Hanham HELP! I don’t have much time. I’m being held hostage and Philip Shelley is forcing me to write a newsletter, I don’t even know what dramatic irony is…
Hi There, As you will see, this newsletter is very much longer than usual. This is a short story sent to me by writer DAVID ARMSTRONG. David is one of my favourite novelists.
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