WRITER FEEDBACK
Hi There, This week – a report back from one of my recent script mentees, Ann Hawker, on her experiences at The Writer’s Lab
Hi There, This week – a report back from one of my recent script mentees, Ann Hawker, on her experiences at The Writer’s Lab
Hi There, This week a look back at some of my drama highlights from this Autumn so far – LONDON FILM FESTIVAL 2018 SOMETIMES
Hi There, Following on from my newsletter two weeks ago about story ideas and pitching, here are some more related thoughts – MEETINGS Once you’ve
Hi There, I’ve had a hugely enjoyable week with three days of courses – on Tuesday my STORY, IDEAS AND CHARACTER ‘masterclass’ at the Indie
Hi There, SCRIPT CONSULTANCY I’ve been running my script consultancy for quite a few years now and have always thoroughly enjoyed it. It’s particularly
A one day SCRIPT EDITING course I’m running at the INDIE TRAINING FUND in London on July 19th http://indietrainingfund.com/courses/script-editing-essentials/?event=14248 Hi There, This week a
FORTHCOMING one day COURSES at the Indie Training Fund, London – STORY, CHARACTER & IDEAS masterclass (May 31) and SCRIPT EDITING ESSENTIALS (July 19). http://indietrainingfund.com/courses/narrative/?event=12576
Hi There, This week, my most recent blog for the BBC WRITERS ROOM website – about NETWORKING. To be a successful writer of TV drama,
Hi There, I was delighted to see that ANN HAWKER came 2nd in Phil Gladwin’s 2018 screenwriting goldmine awards. I worked with Ann on this
Hi There, A few months ago, I put out a call to you the subscribers to this newsletter for questions you may have about
I have been creating industry relevant blog posts and newsletters for many years. These posts provide invaluable insight and advice to both scriptwriters and producers. I’ve included a selection below, but to find specific categories and posts click on the link to visit my news page.
Hi There, It’s blindingly obvious that the most important thing for budding screenwriters is your writing – your ability to tell a story compellingly and entertainingly. But my experience working with so many
BIOPICS It seems to me that BIOPICS are one of the hardest genres to nail. There are just so many pitfalls to avoid with this – extremely well-worn – genre. Some of those
How to get an agent By: Jenny Takahashi Stark How do you get an agent? Like, how the HELL do you get an agent?? That’s the question I kept asking myself a few
Hi There, Please bear with this – there is a story telling reason for it!… In August last year (2023) I went to watch my son running in a very low-key 5000m race
Hi There, CHANNEL 4 SCREENWRITING COURSE 2025 I hope you have had an enjoyable and productive summer. I’m delighted to be able to announce that we will again be running the CHANNEL 4
MONTAGE IN SCREENPLAYS I’ve been thinking about MONTAGE recently – when does it work? What makes a good montage? What makes a bad montage? Montage is used very much more in film
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