CHANNEL 4 SCREENWRITING COURSE 2025 – READER FEEDBACK – MATT MCNALLY
Hi There, This fortnight, some reader feedback from the excellent MATT MCNALLY, who covered 280 of your script entries for the 2025 Channel 4 screenwriting
Hi There, This fortnight, some reader feedback from the excellent MATT MCNALLY, who covered 280 of your script entries for the 2025 Channel 4 screenwriting
Hi There, This fortnight, some of the notes I made as I was reading script submissions for the 2025 Channel 4 screenwriting course. None of
Yes, it’s a cheery one. At the risk of being extremely depressing, I have been thinking, for various reasons, about death quite a lot
Hi There, It’s blindingly obvious that the most important thing for budding screenwriters is your writing – your ability to tell a story compellingly and
BIOPICS It seems to me that BIOPICS are one of the hardest genres to nail. There are just so many pitfalls to avoid with this
Hi There, Please bear with this – there is a story telling reason for it!… In August last year (2023) I went to watch my
MONTAGE IN SCREENPLAYS I’ve been thinking about MONTAGE recently – when does it work? What makes a good montage? What makes a bad montage?
Hi There, This fortnight’s screenwriting newsletter is the penultimate reader feedback from the 2024 Channel 4 screenwriting course readers. (The final missive by the brilliant
THE MAGIC STORY TREE? What I’m trying to illustrate here is just how many amazing stories (and character ideas) there are out there in the
Hi There, This week, further script reader feedback from the 2024 Channel 4 screenwriting course. This fortnight, from the excellent Jon Champion. Jon did a