Two Day Screenwriting Course

Dates: 21st & 22nd June, 2025

Venue: TBC Central London

Cost: £225.00

I’m delighted to announce that I will be running my 2 day SCREENWRITING COURSE in London over the weekend of 21st & 22nd June.

This course concentrates on CRAFT on day 1 and THE BUSINESS OF GETTING WORK on day 2.

Running these courses and the CHANNEL 4 SCREENWRITING COURSE for the last few years, and working with so many talented writers, I’ve learnt that it’s not enough to be a talented, technically-gifted screenwriter. You also have to be adept at treating your work like a business and running your career smartly, sensibly and with ambition and determination.

One of the positives to come out of the courses I have run over the years has been the ongoing creative relationships with writers I’ve met on my courses – which I hope can be mutually beneficial. This is the reason I keep numbers to a max of 20 – and to make the course truly inter-active. It also enables all the writers to get to know and learn from each other over the course of the weekend.

I have kept in touch with so many of the screenwriters who have been on my screenwriting courses and 1 day CREATIVITY course – and the writers getting to know each other is one of the most valuable parts of the course.

Several writers from these independent SCREENWRITING and CREATIVITY courses have gone onto the C4 screenwriting course – and the success stories from writers who have done one of these 2 courses and have gone onto prestigious, paid TV or film work are numerous.

Overview of the Course

Telling your Story - Craft & Career

The course will be like a mini-writers festival as we will have FOUR different GUEST SPEAKER sessions over the two days.

DAY ONE

Introduction to the Course & What it can do for you.

Creative Exercises – a series of creative exercises that will help you in creating and generating new story and character ideas

TOM MAIR – Screenwriter. A graduate of 2020 Channel4 Screenwriting Course, he currently has active developments with STV, The Lighthouse, FilmNation, Two Rivers, Longboat pictures and Black Camel Pictures and is also script editing Andrea Gibb’s new BBC drama for Bonnie productions.

Tom will talk about both the craft and business of screenwriting – shows he is developing, the successes he has had and the lessons you can learn from his experiences as a highly successful screenwriter.

Supplementing this session, I will also do my own sessions on – STORY – the craft elements that go into creating effective, exciting, dynamic story-telling on screen.

CHARACTER – the key elements in writing memorable, resonant characters. Including an interactive exercise in creating CHARACTERS and genuinely character-driven stories.

DIALOGUE – what are the elements that make for effective screen dialogue?

And…

TV SERIES. The keys to developing what every single drama-producing indie is looking for – an original, compelling returnable one hour series.

DAY TWO

Will cover…

PITCHING – with an interactive pitching exercise.

TREATMENTS, OUTLINES, WRITTEN PITCHES – looking at all these important pre-script documents – when you need them and how to write them.

Literary agent, NICK HITCHCOCK, from LARK MANAGMENT – talking about how you get an agent, what you should expect of an agent, and how to forge a career as a screenwriter.

DRIVING YOUR OWN SCREENWRITING CAREER + NETWORKING.

Lessons to be learnt from successful screenwriters’ careers.

CHANNEL 4 SCREENWRITING COURSE

Lessons I’ve learnt from my experience of running the C4 course for the last 8 years – and what this means for you as professional writers.

Screenwriter CAT MOULTON – will discuss her career – the writing work she has done – including 2 greenlit series for TV. Cat will discuss both the craft of dramatic writing, and give you tips on how to run your career.

CONCLUSION – Final session about what to take away from the course, and discuss where you go from here.

Places are strictly limited at 20!

I have a strict limit on the number of delegates, because I want to make sure these are personal, in-depth seminars where you can get your questions answered and find out what you need to know without the sense of getting lost in the crowd.

That does mean that the early bird catches the workshop! If you want to come I strongly recommend you book your place now to make sure you don’t miss out.

Once you register I’ll send you full details of the course, and a week beforehand a bumper pack of invaluable HANDOUTS for delegates on the course.

Cost

For the two days of the course, the cost is a very reasonable £225. Based on some of the successes and feedback of previous attendees of my courses, I’m happy to say I think this is excellent value for money, and I know this course can act as a powerful weapon in your aims to fulfil your potential as a professional screenwriter.

NB The last few courses I’ve run have sold out quickly. If you’re interested in doing this course, early booking is recommended!

When & Where

Saturday and Sunday June 21st & 22nd – Central London venue TBC

*And I’ll be available on both days in a nearby pub afterwards to carry on the conversation! An invaluable part of the course – affording you the chance to share experiences with each other (and me) in a relaxed setting for a couple of hours after the course each day.

July 22 - 2 Day Screenwriting Course Participants

Please e-mail me if you have any queries

Meet your Course Instructor...

Philip Shelley

I have run the C4 screenwriting course for the last 14 years and am currently running it again in 2025. I am also running the GREENLIGHT SCREENWRITING LAB for Irish writers in 2025 (the 3rd year of this course). I ran the BBC’s in-house script editing courses for 10 years. I have run several courses for BBC Writers (in London, Cardiff and Salford). Among many others, I have run courses for Warner Bros in London, BBC Studios, De Montfort University Leicester and Vice UK.

In January 2025 my book SCREENWRITING, THE CRAFT AND THE CAREER was published by Nick Hern Books.

I run one of the most successful script consultancies in the UK, working with many different writers and independent production companies (eg Bryncoed Productions, Silver Reel and Conker Films).

I have always hugely enjoyed working with screenwriters and helping them find their place in the industry. For example I produced and launched the podcasts series, tributepodcasts.co.uk which has acted as a great showcase for several new, exciting dramatic writers. And before my freelance career, I script-edited and produced many shows for the BBC and ITV.

Meet the Guest Speakers...

Catherine Moulton

Catherine is a screenwriter who lives in London. She has written episodes of BAPTISTE series two for BBC One, THEN YOU RUN for Sky and HIJACK for Apple TV. Catherine is adapting PLAYDATE from the novel by Alex Dahl for Disney +. The series is produced by Quay Street and Brightstar and will film in UK and France in summer 2023.

Catherine’s original series, CODE OF SILENCE, starring Rose Ayling Ellis, is also green lit for ITV. It is produced by Mammoth Screen.

Before she became a screenwriter, Catherine worked in drama development and production. She made the move to writing after taking part in the 2019 4Screenwriting course. She was also on the BBC TV Drama Writers Programme for 2020.

Tom Mair

Tom Mair is a screenwriter from the Scottish Highlands. Tom started as a runner on set before working in house as a PA, and then in development at Baby Cow before going freelance. A graduate of 2020 Channel4 Screenwriting Course, he currently has active developments with STV, The Lighthouse, FilmNation, Two Rivers, Longboat pictures and Black Camel Pictures and is also script editing Andrea Gibb’s new BBC drama for Bonnie productions.

Nick Hitchcock

Nick Hitchcock, Literary Agent, Lark Management. Having spent six years working in agencies across London, Nick entered a new phase in his career when he joined London-based talent agency Lark in May 2022. His roster of clients, which includes directors such as Josephine Bornebusch (BABY REINDEER), Jonatan Etzler (BAD APPLES), Daniel Kokotajlo (STARVE ACRE) and Erika Calmeyer (THE DREAM LANDS); and screenwriters Coline Abert, Shane Crowley, Clem Garritty and novelist Eimear McBride, is indicative of the unique creative voices he seeks out when onboarding writing and film-making talent.

Prior to working in talent agencies, Nick worked for producer Scott Rudin in New York, working across films including LADYBIRD, EIGHTH GRADE and THE MEYOROWITZ STORIES.

Guest Speakers on Previous Courses...

Cat Jones

CAT JONES is a writer, producer, director and composer.

Cat started her writing career on the Royal Court’s Young Writers Programme and Channel 4’s 4Screenwriting. Her television writing credits include: Harlots (Hulu/BBC/Monumental), Youngers (C4/Big Talk), Eastenders (BBC), Will (TNT), Waterloo Road (BBC/Shed) and Wolfe (Sky/Abbotvision). She wrote the original BBC iPlayer short Flea and wrote and created the short form series Five by Five (BBC) co-created with Idris Elba, for which she led the writers’ room. Cat’s original television projects include: Futuristic returning series, Elizabeth III (Sky/The Lighthouse), prison drama, JailTown (Sky/BBC Studios/The Lighthouse), drag king comedy, Kings (ITV/Monumental), four-part thriller, The Jetty (BBC/Firebird) and, My Wild Valley (AMC).

Cat has written and directed a number of short films including the Creative England/BFI funded Little Big House and Cushy, which won the Yorkshire Short Film Award at the Leeds International Film Festival.

Cat’s theatre work includes Glory Dazed, which won the BBC’s Alfred Bradley Bursary Award before picking up further awards at the Edinburgh and Adelaide Fringe festivals and completing a sell-out run at Soho Theatre. Cat wrote the book and co-wrote the music for musical The Natives (Old Vic New Voices) and she also spent a year as Writer in Residence at The Manchester Royal Exchange.

Cat’s plays Hangdog, The Fix and Bound have been broadcast on Radio 4 and she has written music for television shows Dixi (Kindle/BBC), Youngers (C4/Big Talk), and Harlots (Hulu/BBC/Monumental).

Sonya Desai

SONYA DESAI is currently in the writers room on Smilla’s Sense of Snow, a six part adaptation of the Peter Høeg novel for Constantin Films, and she has just written an episode of the new Disney+ live action series Nautilus. She also has various projects in development. Her first script for TV, Boomerangs, won her a place on the prestigious Channel 4 Screenwriting course and was optioned by Hat Trick.

Sonya wrote her ambitious sci-fi thriller on the course, and since then has worked in various writers rooms including Delicious Series 4, and The Secret Lives of the Amir Sisters. Half-Indian and half-Irish, she was previously a journalist at BBC World, The Today Programme, and Bloomberg TV.

Sarah Hehir

SARAH HEHIR was selected for the 2016 BBC TV Drama Writers’ Programme, where she wrote a pilot episode of her original series ‘Quarry’. Her play ‘Zero Down’ about care assistants on zero-hour contracts had a successful run at the Pleasance Courtyard as part of the Edinburgh Festival and was also performed at the 503 Theatre. Her full length play ‘Child Z’, about child sexual exploitation, was performed at Southwark Theatre.

Sarah won the 2013 BBC Writer’s Prize sponsored by the Writersroom with her radio play ‘Bang Up’ which was broadcast on Radio Four. Most recently she has written The Facility – a play to be published in September this year through The English and Media Centre and The Classical Society. She also writes poetry – and audio drama Wild Garlic and the film Snapcatch were commissions she got through being known as a poet.

NB Sonya and Sarah became friends after meeting on a previous Phil Shelley 2 day screenwriting course.

Adam Usden

ADAM USDEN is an award-winning writer from Manchester, now based in London.

Adam is currently writing on LUPIN IV for Gaumont / Netflix, having recently completed 2 episodes on LUPIN III and is working on a new script commission for ITV Studios. He has recently written the finale of Wolfe II for Abbott Vision/Sky and original pilot script After the End for Moonage, as part of the BBC Drama Writer’s Programme 2021. He was Lead Writer on teen drama series Zero Chill for Lime/Netflix and has two original television pilots in development with Lime. Adam’s pilot script Milk & Meat, an adaptation of James Lubbock’s memoir Breaking Dad, was commissioned by West Road Pictures, his original script, Masked, is with Film Nation and pilot The Shapeshifter, adapted from the Ali Sparkes books, was commissioned by CBBC. Adam’s credits also include an episode of Ackley Bridge Series 3 for The Forge/C4.

Adam has written several Afternoon Dramas for BBC Radio 4. His debut play, The Book of Yehudit, received the Imison Award for ‘Best Script by a Writer New to Radio’, and his second, Sophie’s Lights, was shortlisted for ‘Best Drama’ at the BBC Radio News and Drama Awards.

Adam is a graduate of 4Screenwriting, the Royal Court Studio Group and Traverse 50, and his theatre work has previously been shortlisted for the Papatango Prize, the Theatre 503 Playwriting Award, the Yale Drama Prize and the Channel 4/Òran Mór Comedy Drama Award.

Adam graduated from Durham University with a 1st in English Literature, where he also wrote and performed (badly) with the Durham Revue, and was part of the troupe that won the National Student Best University Sketch Group and Underbelly Sketch-Off.

Anna Ssemuyaba

Anna Ssemuyaba is one of the UK’s most in demand screenwriters, as predicted by Deadline when she was named one of their ‘10 Rising British Scribes to Watch Out For’.

After script editing Academy Award winner John Ridleys’ first UK series GUERRILLA and Lucy Kirkwood’s ADULT MATERIAL, she wrote her pilot script ON THE VERGE. ON THE VERGE was selected for a SKY Table Read, featured on The Brit List, and then bought by Netflix.

In 2020, Anna wrote I DON’T WANT TO TALK ABOUT THIS, a single film starring Adelayo Adedayo and Joe Cole, for ITV.

Since then, she has been busy staffing in many writers’ room and has written episodes of hit shows like Greg Daniels’ UPLOAD (Amazon), HIJACK (Apple), THE BUCCANEERS (Apple), and SMOTHERED (Sky). She is currently writing an episode of HOW TO KILL YOUR FAMILY for Netflix, starring Anya Taylor-Joy.

She is also developing original TV and Film projects with the BBC, Channel 4, Film 4, BBC Films and ITV studios.

Stevie Grace Jackson

I’ve worked in the literary department at Independent Talent Group for the last four years, having started as the runner and worked my way up to representing a mix of top level showrunners and exciting emerging talent.

I work with both screenwriters and directors, as well as helping some authors and podcasters get their work on screen. I love the creative side of the job – giving notes and making great connections for clients with people they end up working with for years to come.

Archie Maddocks

ARCHIE MADDOCKS, screenwriter, alumnus of the Channel 4 screenwriting course 2018, and stand-up comedian.

Archie is an emerging screenwriter and playwright with his work already having been produced at the Bush Theatre, Lyric Hammersmith, Orange Tree Theatre, Royal Court, and in New York at the New Light Theatre. He was commissioned by the Bush for a full length play and is also currently writing a new play for Northern Stage as one of two playwrights commissioned under the Revolution Mix scheme: an initiative to increase the presence of BAME stories on the stage.

Archie’s most recent play A PLACE FOR WE was shortlisted for the Bruntwood Prize from a submission pile of 1900 and was also shortlisted for the Alfred Fagon Award.

In 2017 he was a part of the BBC Writers Room “London Voices” and in 2018 he was selected as part of the prestigious 4Screenwriting course. He was also named as Writer in Residence at BBC Radio Drama London Production.

2018 saw Archie get commissioned by Vertigo Films to develop a feature about moped gangs as well as get commissioned for a TV episode by Moonage and Tiger Aspect on their new show INTERGALACTIC for Sky.

He’s currently in formal development with several production companies, including Tiger Aspect, Wall To Wall and Working Title TV.

Nathaniel Price

NATHANIEL PRICE – alumnus of the Channel 4 Screenwriting course 2017, and graduate of the NFTS screenwriting course.

Nathaniel has written episodes for Noughts & Crosses (Mammoth Screen/BBC) and Tin Star II (Kudos/Sky). His script Hound, written as part of the Channel 4 Screenwriting Course, is optioned to Balloon Ent. And Nathaniel’s script Companion, written for the BBC’s Drama Writer’s Course is with BBC Studios. Nathaniel has delivered an original full length play, First Touch, commissioned by Nottingham Playhouse, and his second radio play Walter T Flint to producer Sally Avens/BBC. Nathaniel also has a number of original dramas in early development including, Skin Deep (STV), Hooked (Wall to Wall), The Good Barber (Kudos), Laurie Cunningham (New Pictures) and is one of the co-creators of Heist, a collaborative development with Tony Jordan/Red Planet Pictures. Nathaniel’s credits include Baller, an original R4 Afternoon Play, monologue ‘Special Delivery’ for BBC3’s The Break II, and a short script for BBC3 series Five by Five for BBC Studios/Green Door. He was also selected for the 2017 BBC New Talent Hotlist.

Chandni Lakhani

CHANDNI LAKHANI – screenwriter and playwright with an established background in television script development.

Chandni’s writing career began as a script editor on the Emmy-winning Netflix series Black Mirror, where she helped develop episodes such as San Junipero and USS Callister, alongside writing her own spec scripts. She is currently writing on Riz Ahmed’s epic drama Englistan for BBC Two, as well as having written an episode of the upcoming Dublin Murders by Sarah Phelps for Euston Films/BBC One, based on the acclaimed Tana French crime-thriller novels.

Chandni completed the Channel 4Screenwriting course in 2018 and was also listed on the BBC New Talent Hotlist in 2017 after being attached to BBC Writersroom’s Drama Room scheme. Her first play Hema Anjali won Red Dragonfly’s Taking Flight New Writing Competition in 2017 and was performed at the New Diorama Theatre in London.

Anna Symon

Anna’s first original series MRS WILSON aired November 2018, starring Ruth Wilson playing her own grandmother. It has a BAFTA nomination for best mini-series.

Anna’s returning series DEEP WATER (ITV/ Kudos), developed from the Windermere novels by Paula Daly, will transmit on ITV later this year.

Anna wrote episodes in both series of INDIAN SUMMERS (C4/New Pictures).

Anna has many other projects in active development. She graduated from the prestigious 4Screenwriting in 2013. Prior to her writing career, she worked as a producer/ director in current affairs and documentaries.

Julia Tyrrell

JULIA TYRRELL – Literary Agent (Julia Tyrrell Management)

Julia will talk about how you get an agent, what an agent can do for you as a writer, what agents look for in screenwriters, and more generally about the TV and film industries, and where the work is for both new and more experienced writers.

Jessica Stewart

JESSICA STEWART – Literary Agent (Independent Talent).

Jessica Stewart is a literary agent at Independent Talent Group, working with a list of established and emerging writers, directors, and producers in film, television and theatre.

Please e-mail me if you have any queries

Testimonials

Thank you for the amazing weekend. It was really informative and helpful. I gained a lot of knowledge and really appreciated you holding the space for all of us to learn, bond and connect. I loved the exercises and found them so useful and can't wait to apply your teachings to my work. I also found that following this weekend, I have been reenergised to write and work on my projects. I think apart from your extensive knowledge, I really enjoyed getting to know the other writers and sharing a space with other creatives. It was truly inspiring. I thought the addition of the speakers was a great way to break up the sessions while providing us with varied knowledge and expertise.

CAIRO AIBANGBEE, Sept 2022

Highly recommended, a fun, engaging and action-packed course which really packs a lot in to a weekend. Very supportive and friendly atmosphere, and loads of great information and guidance about building your writing career.

ALICE BRIGHT, Sept 2022

A great course and a great experience and I was blown away by the talent in the room. I felt it was such a high standard of raw creative talent, and it was testing and challenging, which is what all practicing screenwriters need. It is a credit to you and the 2 day course is so useful and incredibly helpful.

PHILIP JONES, Sept 2022

Phil's course was a much needed reset, refresh, rejuvenate, not only about the craft of screenwriting, but also about the business of survival as an aspiring screenwriter. The pandemic and a couple of "development hell" situations had thrown me right off course and now I feel like I have the tools to navigate my way back. He's deeply knowledgable, deeply personable, and deeply sound, and the course is brilliantly structured. What's even more incredible is being able to do it in the company of a really diverse group of people with very different origin stories and in very different places with their writing, but all equally neeky and passionate about TV writing. Odds are we might not all "make it" - the industry can feel a bit like Squid Game sometimes - but having invested in this course we all stand a much better chance than we did three days ago, and I'm going into this next round of the games feeling much better equipped and much more positive, not only about my writing, but also about my ability to sustain the graft needed to push through. Thanks Phil!

COURSE ATTENDEE, Sept 2022

Philip has the unique and valuable ability to cut past the overused jargon, instead focusing on practical principles. Philip has an up to date understanding of the industry, particularly in regard to television. In short, he knows his stuff.

BEN MITCHELL, Sept 2022

A fantastic insight into how the industry works and how to break in.

OLIVER DAVID, Sept 2022

The 2 day screenwriting course exceeded my expectations. Philip has such a vast amount of experience and it really shows. He imparted huge amounts of wisdom, not just in screenwriting, but the industry too. The guest speakers also offered fascinating insight. An incredibly informative and thoroughly enjoyable weekend, thank you!

MELISSA MAY SMITH, Sept 2022

I can’t recommend Phil Shelley’s course highly enough. I have done many and this was by far and away the most informative and helpful. Most importantly it is a real masterclass for those wanting to seriously write for the screen professionally and need real insider knowledge to progress.

CLARE FILLER, Sept 2022

Philip’s 2 Day Screenwriting Course certainly kept me on my toes! From character creation to script structure, then across to effective verbal pitching, Philip’s inspiring wisdom and advice opened my eyes, aiding me in my quest to knuckle down and up my game.

MIKEY JACKSON, Sept 2022

If you want to know how the TV world works and how to distil your speculative script to its key sparkling essence - then this is the course for you! I came away feeling I'd connected with new friends and with a head jam packed with priceless info.

LEE DANIEL, Sept 2022

I really enjoyed the course, I feel I have learned a lot about craft and feel creatively re-inspired. I liked how Philip kept us on our toes, it was fast paced and lots packed in, and it was great to have guest writers talk as well. A very inspiring and motivational weekend!

DAISY JO LUCAS, Sept 2022

I enjoyed the most amazing experience this weekend. Even if I was not passionate about screenwriting, I would have had a great time. I am trying to improve my writing skills, and found the information shared and joint exercises made learning fun and very effective, would recommend it to everyone who is considering writing for TV or films. Philip has forgotten more than most people know.

Julie Quin

Philip’s two day TV drama writing course was fantastic. As well as providing real insight into the industry, he fosters such an encouraging environment that it’s impossible not to come away feeling inspired and ready to attack your next project. Book it, you won’t regret it.

Lucy Dobree

This 2-day course was a game changer for me. Not only did it cover the foundations of the craft but also the business side of it. The course was thorough without being overwhelming and it allowed me to meet many fellow writers from all sorts of backgrounds and levels of experience. Philip is a great speaker and very generous with his knowledge and time. I learnt a lot and I feel much more confident on how to move forward with my writing and career goals.

Ana Torre

This course is like rocket fuel for aspiring writers that want a career in screenwriting! After a fantastic weekend, expertly tutored by the awesome Philip Shelley, I now understand what that will look like, what to expect and a road map on how to get there. I’m excited and a little apprehensive, but so encouraged by my new understanding of the business!

Abbie Murphy

For anyone interested in screenwriting, this is an excellent crash course in creative practice and common sense. With workshops, guest speakers and opportunities to network, it gives a firm steer for anyone attempting to navigate can seem like an impenetrable and ferociously competitive industry.

Nilgin Yusuf

Philip Shelley’s 2-day course is a must for any screenwriter! Philip distils his extensive experience as a script editor, producer, and developer of new talent into a weekend packed with insights. His talks, exercises, and guest speakers help illuminate the often mystifyingscreenwriting industry. I left the course with increased confidence and new tools for pursing my career as a TV writer. Simply put: this course is well worth your time and money.

Renee Donlon

The course was amazing. I met some fantastic, fellow writers, which we are all staying in touch with. There was a lot of information given on the course, all of which was really useful. The information, that was given, was not only, what you need to do, but also what you shouldn’t do. The guest speakers were really informative. Giving their real life stories, on how they got to where they are.

Kathleen Kirkland

The Philip Shelley Screenwriting Course is an incredibly informative weekend with a mountain of information packed in. Philip is a great speaker and the sessions are all inclusive for everyone in attendance. The course includes an array of guest speakers covering different matters and their journeys of how they got there. From the craft to the business side, everything is relevant. 100% recommended!

Nicky Pirie

I can wholly recommend this course (and the one-day course!) to other would be screenwriters. There is so much conflicting information around and a seemingly endless supply of course providers; it is daunting to take the plunge to pay for some guidance without natural reservations. Phillip has proven experience and contacts within the industry that make the course both useful, fun and at an affordable price. If I ever make it to the dizzy heights of receiving an award, he will get a mention in my thank you speech!

Tom Howard

It was so rewarding to attend Phil’s course, it has refreshed my approach toward my screenwriting career, provided excellent industry information and given me the chance to meet both highly talented fellow attendees and high-profile speakers, including writers and an agent. This last aspect is worth attending for alone, but combined with all the other pluses, it makes the course unbeatable as an investment in yourself.

Sunita Webster

Philip is very generous with his knowledge and experience, which he imparts in a personable, kind and encouraging way. A lot was crammed into the 2 days, but as a relative beginner, I came away thinking I should have a go at adapting the biography “Tell Me I’m Forgiven” for the screen.

Rosie Wakley

I signed up for Philip’s two day screenwriting course after finding his one day course inspirational and this one was just as inspiring. You get a fantastic mix of teaching, exercises – the pitching is particularly useful – and hearing first–hand experience and advice from writers and agents. Great two days with some lovely people.

Michele Brailsford

‘I cannot speak highly enough of Philip’s two day screenwriting course. It combined practical advice on how to craft a screenplay (that others would want to actually read) with inspirational talks from guest speakers from within the industry. And there was the added bonus of being able to pitch ideas and get feedback within a supportive and constructive environment. I left the weekend feeling invigorated and feeling optimistic about continuing connections I had formed with other attendees.

Eleanor Thomson

Two days packed with insight, a crash course in screenwriting fundamentals and inspirational speakers. Thank you – Philip is a trusted and valued mentor.

Adam Warner

‘This is a fabulous, jam-packed and all-round brilliant course. I can’t recommend it highly enough. If you get the chance to go, don’t hesitate – book it now!

Victoria Clarke

I attended Philip Shelley’s 2-day screenwriting course in Nov 2019 and would highly recommend it for any writer looking to refine their writing technique and for advice on how to break into the industry. The sessions on verbal and written pitches were particularly good. A great opportunity to practice in a safe, friendly environment with constructive feedback. The Q&A sessions with guest speakers were also hugely beneficial. (On this course – 2 successful writers and an agent). Finally, meeting other like-minded writers and sharing experiences was great therapy! Once again, I came away with renewed energy and motivation for writing!

Linda Butler

The world of screenwriting is full of secrets. And Philip keeps them. Thankfully, he is an incredibly generous guy and shares everything he knows with his students in this course. And so do the brilliant Guest Speakers. He packs so much information into two days your head will be spinning full of ideas when you stagger home from the pub after the final day drink & chat evening (an essential part of the course which you’d do well to attend). If you’re lucky enough to book a place before it sells out, go for it. And if you’re serious about writing, these two days could be the best investment you ever make.

Marcelo Spinelli

This was an intense two day understanding of what it’s like to be working as a television drama writer in the UK. The guest speakers were open, honest and more importantly vulnerable. They answered all our questions and didn’t hide the fact that it is a tough industry but there’s so many ways in and to make a living as a full-time writer. Philip is a lovely person to lead the two days and his guidance, wisdom and patience were appreciated by the group as well as the practical exercises. Thank you. I hope to be working with you very soon Philip!

Alex Browning

I can’t recommend this course highly enough. Philip is highly regarded in the industry and full of insight and advice gained from years of experience. He is also a thoughtful and skilled facilitator. He does a great job of helping you reflect on your writing projects. I’ve also met some wonderful people on Phil’s courses which in turn has helped me to talk about my work, my career and build my personal network.

Catherine Newell

Philip Shelley’s 2-day course is jam-packed with information for any aspiring screenwriter. It gives you a unique opportunity to trail and workshop ideas with peers, receive excellent feedback and learn from others’ experiences of the industry. There is also the opportunity to meet and learn from highly respected industry professionals. I cannot recommend this course enough!

Thomas Baker

What Philip doesn’t know about screenwriting isn’t worth knowing. For a novice taking my first steps into the craft, I couldn’t have hoped for a better introduction. This course provides two very educational and inspirational days and has given me the impetus to persevere with my own writing. I enjoyed the course immensely and learned a great deal!

Trish Bertram

The course is a great opportunity to learn the craft of screenwriting. Philip is a great teacher, and he’s great at making the class interactive and practical rather than just being theoretical. In addition to this you get to hear from some amazingly talented writers who are accomplished and have lots of knowledge to share. It’s a great opportunity to meet other writers. I completely underestimated how much I could learn from them. When the course ends, you can join a writers’ group like I have done, which will help you to continue your learnings from the course.

James Barber

I’ve had a fantastic time at the two-day screenwriting course. In a short space of time, I learnt a huge amount about the creative and writing process, and the workings of the TV and film industry. Being able to hear from and speak to current and successful writers was incredible and inspiring, and to speak with an agent was helpful and quite eye opening. I’ve made some great contacts through the course and I would highly recommend this course to anyone, at any stage of their screen writing endeavours.

Jude O'Connor

Philip Shelley’s two-day course was invaluable in building confidence in my writing abilities and in making a career in screenwriting seem both realistic and accessible. His knowledge of the industry and advice on how it all (really) works is second to none and his talks, as well as those of his excellent guest speakers, packed more information into two days than many screenwriting ‘how-to’ books do cover-to-cover. Philip’s name comes up time and again as an industry expert and champion of new writers for a reason, and the chance to hear what he has to say should not be missed.

Shaida Chaudhury

Kate Traill Price

This is a fantastic, varied and intensive course, which I highly recommend. Philip is a generous and brilliant course tutor, and the calibre of the guest speakers is outstanding. I would absolutely recommend if you are looking to gain insight into the TV industry, or just looking to develop your writing craft further. It’s a thought-provoking, challenging and inspiring few days.

Jessica Norman

This course provided an in-depth introduction to how the industry works, contact with industry professionals (both participants and speakers) and hands-on experience with some essential writing skills. It’s amazing how much was packed in!

Angus Barnacle & Camilla Green

Chris Parker

I found Phil’s Two-Day Screenwriting course extremely helpful when it comes to developing my own writing, as well as gaining a better understanding of the industry as a whole. From effective creative exercises to hearing from established figures within film and television, the course was well designed and covered every aspect and more for breaking in and making it as a screenwriter. I’d highly recommend the course to anyone who is fully dedicated to their writing and keen to know what they have to do in order to take that next step.

Andy McDonald

Philip Shelley is the real deal. He has the skills and experience to deliver a great screenwriting course. His pedigree is also evident in the quality of guest speakers that he can attract, not least those who have already benefited from his support on their way to success. He also attracts and recruits great delegates, which is vital, as positive interaction is so important. The screenwriting course is a nice balance of creative exercises alongside craft and business insights. Philip’s primary focus is clearly on helping to liberate great writing, a fact ably demonstrated by the very reasonable course cost. This is done for love not money. Highly recommended.

Paul Walder

Philip’s workshop was 2 days of clear-headed craft and career strategy, minus a lot of the BS you might find elsewhere! It did more to demystify the industry, which can feel somewhat closed-shop, than just about any other course I’ve done. I came away with more confidence in my ideas both old and new, and a bundle of ways to turn those ideas into better scripts. If you get the chance to do it – go!

Krystina Nellis

‘Having received the script-consultant newsletter for a while and having read a few books on screenwriting, it seemed the obvious next step to attend a course. I’m so pleased I chose Philip’s. He and his guests conveyed a huge amount of information in a relaxed and enjoyable way and I came away from the weekend feeling that I’d really learnt a lot. I have no hesitation in recommending this course.

Ken Potter

‘The two-day screenwriting course was simply amazing – the perfect blend of practical exercises, Q&As with industry professionals, and detailed learning sessions on the craft and the business. I gained so much knowledge and inspiration from this weekend, and as a real bonus, got to connect with an amazing network of fellow writers, who I have stayed in touch with.

Amy Khan

Phil’s writing course is incredible, I only wish it were a bit longer. I was having a bit of writers block before the course started and I’ve barely stopped writing since. I learnt so many ways and means to approach either a new piece of writing or help with something you’re already struggling with, that no matter the task, I feel equipped and ready to take it on. Phil is so engaging and encouraging of your ideas, he makes you feel at ease and that you can ask anything. The guest speaker Q and A’s were so insightful and inspiring, but at the same didn’t sugar coat how hard it can be. It was great to hear their journey, and how far they’ve come in such a short space of time. I can now move forward in my writing with not only a greater understanding of techniques, but also with countless new knowledge of the industry as a whole.

Antonia Castilla

Phil’s two-day screenwriting course is brilliant – the perfect chance to road-test new ideas in a smart, supportive environment and fascinating to meet a mix of writers with such different approaches. He covers a huge amount in two days (like structure, character and how to pitch, with specific examples to illustrate) and I really enjoyed the chance to hear writers Vinay Patel and Regina Moriarty discuss their experiences in the industry. Phil himself is an exceptionally warm, astute, enthusiastic teacher with loads of experience and I’ve already signed up for another of his courses later in the year.

Ed Cripps

I was concerned it would be a waste of time because I had lost faith in my ideas and voice but it has given me an unbelievable energy and enthusiasm for writing. I have come out with clarity on old ideas and loads of new ones. I have met amazing people who I am definitely going to keep in touch with and hopefully share work with / build writing groups with. I have learnt about communities within writing that would tackle the isolation. I loved the sharing of thoughts, the interaction, hearing everyone’s ideas…extraordinarily empowering.

Lotte Rice

The opportunity to tap into Phil’s extensive knowledge of the craft and the business was outstanding and cannot be overstated. More importantly it was delivered in a wonderfully warm and genuine environment. All participants were at different stages of their career and as someone in the lower echelons of the writing world, I was made to feel like an equal and enthusiastically encouraged. The guest speakers were of a high quality and offered incredible insight into the craft and the business. Extremely beneficial and enjoyable course, I cannot recommend enough!

Noel McCann

‘A fantastic weekend packed with creative inspiration, practical career advice and interesting conversation. Philip was really encouraging and enthusiastic and I have come away feeling motivated and prepared to get down to some serious screenwriting. It was also a great opportunity to meet other aspiring and exciting writers. Thank you. I really enjoyed myself.

Richard Crawley

Philip’s weekend course offers great value for money. He covers a lot of important ground with intelligence, humour and humanity, and offers invaluable insights into both the craft and career aspects of screenwriting. The writers and agent who came in to talk to the group were also generous in sharing their experience, and added to the quality of the weekend. Highly recommended.

Jonathan Young

Please e-mail me if you have any queries