I have been writing these fortnightly newsletters for over a decade on many different aspects of screenwriting and storytelling. So this has grown into a fairly huge online resource for screenwriters.
We have tried to break the newsletters into useful categories so that you can access the subjects that interest you.
I have covered many subjects over the years – including PITCHING, CHARACTERISATION, LITERARY AGENTS, many recommendations of inspiring and brilliant shows and scripts; and interviews with many fascinating screenwriters and producers.
I hope you will have fun dipping into some of the old newsletters; and I hope that they will be helpful and energising for your screenwriting.
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http://www.guardian.co.uk/education/2009/dec/01/research-tv-drama-csi Here’s a link to an interesting article from The Guardian. Some boffins try to apply a scientific \ mathematical approach to script analysis. Interesting how they quite successfully boil
London Film Festival – Studies in Narrative Structure Last week I went to 4 very different films at this year’s LFF, and they proved very inspiring and creatively energising. They
DAMIAN WAYLING INTERVIEW Damian is a writer whom I first met when he was on the Carlton new writers course some years ago. It was clear then that he had
Just a quick one to recommend ( a bit late in the day) the current BBC series ‘The Street’. For me, these shows are object lessons in top-quality dramatic story-telling.
Two really interesting articles, one recent, one not so recent. Firstly, an excellent article by US screenwriter SHANE BLACK from last week’s Guardian, with tips on how to write an
www.script-consultant.co.uk has just passed its first anniversary and I thought I’d briefly reflect on the first year. Above all, it’s been a lot of fun. Generally speaking I’ve read a
Some more recommended books about screen-writing that may be of interest:- The Pitch by Eileen Quinn & Judy Counihan As far as I’m aware the only UK book specifically about
There are a whole host of screenwriting books on the market and their usefulness (or not) to writers is an interesting question. There’s undoubtedly a place for the best of
A little while ago I went to a screenwriting talk in London. It was run by a US screenwriter, and it was about STRUCTURE. The screenwriter turned out to be
Thinking about the best screen drama I saw in 2008, The Shooting of Thomas Hurndall was somewhere at the top of the list. Soon after I’d seen this I watched
