LONDON ROAD – different ways to tell dramatic stories
Hi There, On Wednesday afternoon I was lucky enough to go to a matinee preview at the National Theatre of the revival of LONDON ROAD. This is a verbatim musical about the community
1 – 2 page pitches – £100.00
5 – 30 pages – £200.00
30 – 50 pages – £250.00
50 – 90 pages – £280.00
90 – 120 pages – £320.00
Treatments (max 10 pages) – £160.00
1 hour+ Zoom Meeting – £140.00
1 hour+ London Meeting – £160.00
Note: The above rates apply to individual, freelance writers.
Please e-mail me for CORPORATE RATES.
A six-month partnership in which I act as mentor, providing feedback on ideas and scripts at every stage of development, and specific, tailored career advice. Agreeing an initial action plan, giving written feedback as well as Zoom, phone and face-to-face time to discuss your work.
Please e-mail me if you have any queries or would like to book your mentorship.
Cost: £1900
Staggered Payment options acceptable.
Find out more about Script Mentoring
Negotiable. Rates will be discussed and agreed between the writer and myself, depending on level of work required and agreed on each draft.
Please e-mail me for further information and payment details.
Please e-mail me if you have any queries
I have been creating industry relevant blog posts and newsletters for many years. These posts provide invaluable insight and advice to both scriptwriters and producers. I’ve included a selection below, but to find specific categories and posts click on the link to visit my news page.
Hi There, On Wednesday afternoon I was lucky enough to go to a matinee preview at the National Theatre of the revival of LONDON ROAD. This is a verbatim musical about the community
GREENLIGHT SCREENWRITING LAB: 1st Weekend Galway May 10-11 I was lucky enough to go to Galway earlier in May for the first weekend of this year’s GREENLIGHT SCREENWRITING LAB, a scheme for new
DRAMATIC IRONY by Tom Hanham HELP! I don’t have much time. I’m being held hostage and Philip Shelley is forcing me to write a newsletter, I don’t even know what dramatic irony is…
Hi There, As you will see, this newsletter is very much longer than usual. This is a short story sent to me by writer DAVID ARMSTRONG. David is one of my favourite novelists.
Hi There, This fortnight, some reader feedback from the excellent MATT MCNALLY, who covered 280 of your script entries for the 2025 Channel 4 screenwriting course – ‘I thought I’d write something for
Hi There, 2 more courses – 2 DAY SCREENWRITING COURSE, LONDON June 21-22 https://script-consultant.co.uk/2-day-screenwriting-course/ I’m really pleased to be running my 2 day / weekend screenwriting course again for the first time in
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