CHANNEL 4 SCREENWRITING COURSE SCRIPT READING FEEDBACK
Hi There, This fortnight, some of the notes I made as I was reading script submissions for the 2025 Channel 4 screenwriting course. None of these are ‘rules’ (there are
I have been writing these fortnightly newsletters for over a decade on many different aspects of screenwriting and storytelling. So this has grown into a fairly huge online resource for screenwriters.
We have tried to break the newsletters into useful categories so that you can access the subjects that interest you.
I have covered many subjects over the years – including PITCHING, CHARACTERISATION, LITERARY AGENTS, many recommendations of inspiring and brilliant shows and scripts; and interviews with many fascinating screenwriters and producers.
I hope you will have fun dipping into some of the old newsletters; and I hope that they will be helpful and energising for your screenwriting.
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Hi There, This fortnight, some of the notes I made as I was reading script submissions for the 2025 Channel 4 screenwriting course. None of these are ‘rules’ (there are
Yes, it’s a cheery one. At the risk of being extremely depressing, I have been thinking, for various reasons, about death quite a lot recently. And that led onto
ONE DAY INTRODUCTION TO SCREENWRITING COURSE London Saturday March 22nd I’m delighted to be running this one day course for the first time for 2 years and I am now
Hi There, This fortnight I look back at the 1st weekend of the 2025 CHANNEL 4 SCREENWRITING COURSE, which we held at C4’s offices in London over the weekend
Hi There, SCREENWRITING THE CRAFT AND THE CAREER by PHILIP SHELLEY Please excuse this 2nd newsletter about my book, published yesterday Thursday January 23rd – it’s important to me and
Hi There, And Happy New Year! My newsletter returns with some random musings about storytelling for the screen – TROPES & MYTHS I really enjoyed this question and answer from
Dear All, SCREENWRITING – THE CRAFT AND THE CAREER by PHILIP SHELLEY https://www.nickhernbooks.co.uk/screenwriting Following up on last Friday’s newsletter teaser, I’m delighted to be able to share with you that
Hi There, This fortnight – a teaser and more recommendations. TEASER! I’ve been reading a LOT of these (teasers) in the scripts submitted for the 2025 Channel 4 screenwriting course
Hi There, This fortnight – some recommendations of writing about writing. I’ve recently read these excellent books – LIKE BROTHERS by Mark and Jay Duplass Part memoir and part instructional
Hi There, It’s blindingly obvious that the most important thing for budding screenwriters is your writing – your ability to tell a story compellingly and entertainingly. But my experience working
I have been creating industry relevant blog posts and newsletters for many years. These posts provide invaluable insight and advice to both scriptwriters and producers. I’ve included a selection below, but to find specific categories and posts click on the link to visit my news page.
Hi There, This fortnight, some of the notes I made as I was reading script submissions for the 2025 Channel 4 screenwriting course. None of these are ‘rules’ (there are no rules!), just
Yes, it’s a cheery one. At the risk of being extremely depressing, I have been thinking, for various reasons, about death quite a lot recently. And that led onto thinking about the
ONE DAY INTRODUCTION TO SCREENWRITING COURSE London Saturday March 22nd I’m delighted to be running this one day course for the first time for 2 years and I am now taking bookings. Please
Hi There, This fortnight I look back at the 1st weekend of the 2025 CHANNEL 4 SCREENWRITING COURSE, which we held at C4’s offices in London over the weekend of Jan 18
Hi There, SCREENWRITING THE CRAFT AND THE CAREER by PHILIP SHELLEY Please excuse this 2nd newsletter about my book, published yesterday Thursday January 23rd – it’s important to me and I hope will
Hi There, And Happy New Year! My newsletter returns with some random musings about storytelling for the screen – TROPES & MYTHS I really enjoyed this question and answer from RICHARD LINKLATER’S Q&A
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