ONE PAGE PITCHES – THE SEQUEL
Hi There, MORE ON ONE PAGE PITCHES I know this is an area I’ve discussed in the past – but here are a few more observations inspired by 2 zoom
I have been writing these fortnightly newsletters for over a decade on many different aspects of screenwriting and storytelling. So this has grown into a fairly huge online resource for screenwriters.
We have tried to break the newsletters into useful categories so that you can access the subjects that interest you.
I have covered many subjects over the years – including PITCHING, CHARACTERISATION, LITERARY AGENTS, many recommendations of inspiring and brilliant shows and scripts; and interviews with many fascinating screenwriters and producers.
I hope you will have fun dipping into some of the old newsletters; and I hope that they will be helpful and energising for your screenwriting.
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Hi There, MORE ON ONE PAGE PITCHES I know this is an area I’ve discussed in the past – but here are a few more observations inspired by 2 zoom
Hi There, With my team of eight excellent script readers, I am now well into the very enjoyable process of reading scripts from the 2021Channel 4 screenwriting course applications. We
Hi There, Last week I went to a cinema for the first time since I can’t remember when (March / Feb?). If I’m honest, it felt odd and a bit
Hi There, Last week I held a zoom Q&A to answer any questions about the 2021 CHANNEL 4 SCREENWRITING COURSE. In this newsletter I will answer some of the questions
Hi There, I hope you have all (like me) had the chance of a short summer break even if it wasn’t far from home (I haven’t left home at all!)
Hi There, TITLES blog – 2 excellent responses – ‘Great to have a post about this because I’ve always agonised over titles! I went through a phase a few years
Hi There, This week, another guest article – this time from RAY MCBRIDE. Ray did an outstanding job as script editor on last year’s Channel 4 screenwriting course, has worked
Hi There, This week, some thoughts on TITLES. As with so many aspects of screenwriting, opinions about titles are always subjective and I’m sure you’ll disagree with some of what
Hi There, This week I’m delighted to share with you a guest blog by development producer GILLIAN CLARKE. Gillian is one of the best script producers in the UK, with
Hi There, This week, more answers to the questions I didn’t have a chance to get to on my BFI Academy session a few weeks ago. What advice would you
I have been creating industry relevant blog posts and newsletters for many years. These posts provide invaluable insight and advice to both scriptwriters and producers. I’ve included a selection below, but to find specific categories and posts click on the link to visit my news page.
Hi There, This fortnight, some recommendations. Some of the outstanding stories I have read and watched in the last few months, but first… SCRIPT READING & DEVELOPMENT Q&A September 10th 2025 The next
THIS IS A TRUE STORY Except, in the case of The Salt Path it turns out it may not be. I have read and enjoyed the book and this week went to see
Hi There, 20 SCREENWRITERS IN 1 ROOM FOR 2 DAYS This past weekend I ran my 2 day screenwriting course – for the first time for 3 years. I really enjoyed it and
Hi There, On Wednesday afternoon I was lucky enough to go to a matinee preview at the National Theatre of the revival of LONDON ROAD. This is a verbatim musical about the community
GREENLIGHT SCREENWRITING LAB: 1st Weekend Galway May 10-11 I was lucky enough to go to Galway earlier in May for the first weekend of this year’s GREENLIGHT SCREENWRITING LAB, a scheme for new
DRAMATIC IRONY by Tom Hanham HELP! I don’t have much time. I’m being held hostage and Philip Shelley is forcing me to write a newsletter, I don’t even know what dramatic irony is…
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