I have been writing these fortnightly newsletters for over a decade on many different aspects of screenwriting and storytelling. So this has grown into a fairly huge online resource for screenwriters.
We have tried to break the newsletters into useful categories so that you can access the subjects that interest you.
I have covered many subjects over the years – including PITCHING, CHARACTERISATION, LITERARY AGENTS, many recommendations of inspiring and brilliant shows and scripts; and interviews with many fascinating screenwriters and producers.
I hope you will have fun dipping into some of the old newsletters; and I hope that they will be helpful and energising for your screenwriting.
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Hi There, SCREENWRITING THE CRAFT AND THE CAREER by PHILIP SHELLEY Please excuse this 2nd newsletter about my book, published yesterday Thursday January 23rd – it’s important to me and
Hi There, And Happy New Year! My newsletter returns with some random musings about storytelling for the screen – TROPES & MYTHS I really enjoyed this question and answer from
Dear All, SCREENWRITING – THE CRAFT AND THE CAREER by PHILIP SHELLEY https://www.nickhernbooks.co.uk/screenwriting Following up on last Friday’s newsletter teaser, I’m delighted to be able to share with you that
Hi There, This fortnight – a teaser and more recommendations. TEASER! I’ve been reading a LOT of these (teasers) in the scripts submitted for the 2025 Channel 4 screenwriting course
Hi There, This fortnight – some recommendations of writing about writing. I’ve recently read these excellent books – LIKE BROTHERS by Mark and Jay Duplass Part memoir and part instructional
Hi There, It’s blindingly obvious that the most important thing for budding screenwriters is your writing – your ability to tell a story compellingly and entertainingly. But my experience working
BIOPICS It seems to me that BIOPICS are one of the hardest genres to nail. There are just so many pitfalls to avoid with this – extremely well-worn – genre.
How to get an agent By: Jenny Takahashi Stark How do you get an agent? Like, how the HELL do you get an agent?? That’s the question I kept asking
Hi There, Please bear with this – there is a story telling reason for it!… In August last year (2023) I went to watch my son running in a very
Hi There, CHANNEL 4 SCREENWRITING COURSE 2025 I hope you have had an enjoyable and productive summer. I’m delighted to be able to announce that we will again be running
I have been creating industry relevant blog posts and newsletters for many years. These posts provide invaluable insight and advice to both scriptwriters and producers. I’ve included a selection below, but to find specific categories and posts click on the link to visit my news page.
Hi There, On Wednesday afternoon I was lucky enough to go to a matinee preview at the National Theatre of the revival of LONDON ROAD. This is a verbatim musical about the community
GREENLIGHT SCREENWRITING LAB: 1st Weekend Galway May 10-11 I was lucky enough to go to Galway earlier in May for the first weekend of this year’s GREENLIGHT SCREENWRITING LAB, a scheme for new
DRAMATIC IRONY by Tom Hanham HELP! I don’t have much time. I’m being held hostage and Philip Shelley is forcing me to write a newsletter, I don’t even know what dramatic irony is…
Hi There, As you will see, this newsletter is very much longer than usual. This is a short story sent to me by writer DAVID ARMSTRONG. David is one of my favourite novelists.
Hi There, This fortnight, some reader feedback from the excellent MATT MCNALLY, who covered 280 of your script entries for the 2025 Channel 4 screenwriting course – ‘I thought I’d write something for
Hi There, 2 more courses – 2 DAY SCREENWRITING COURSE, LONDON June 21-22 https://script-consultant.co.uk/2-day-screenwriting-course/ I’m really pleased to be running my 2 day / weekend screenwriting course again for the first time in
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