MONTAGE
MONTAGE IN SCREENPLAYS I’ve been thinking about MONTAGE recently – when does it work? What makes a good montage? What makes a bad montage? Montage is used very much
I have been writing these fortnightly newsletters for over a decade on many different aspects of screenwriting and storytelling. So this has grown into a fairly huge online resource for screenwriters.
We have tried to break the newsletters into useful categories so that you can access the subjects that interest you.
I have covered many subjects over the years – including PITCHING, CHARACTERISATION, LITERARY AGENTS, many recommendations of inspiring and brilliant shows and scripts; and interviews with many fascinating screenwriters and producers.
I hope you will have fun dipping into some of the old newsletters; and I hope that they will be helpful and energising for your screenwriting.
* by entering your e-mail address you are agreeing to receive regular newsletters. You can opt out by clicking unsubscribe at any time.
MONTAGE IN SCREENPLAYS I’ve been thinking about MONTAGE recently – when does it work? What makes a good montage? What makes a bad montage? Montage is used very much
Hi There, SCRIPT READING & DEVELOPMENT Q&A July 18th 6pm – 2 ½ hour session on zoom for max 8 people. As of Thursday July 11th, there is one spot
Hi There, I’m very pleased to have been able to add 12 new scripts to my website SCRIPT LIBRARY. https://script-consultant.co.uk/script-library/ One of the things that is brought home to
CHANNEL 4 SCREENWRITING COURSE – THIS YEAR’S 12 SCRIPTS ‘Screenwriting is strange because you start imagining a purely visual story — but the first stage is to reduce it to
Hi There, An apology – but this week’s newsletter is entirely self-publicising – for a new / updated part of my script consultancy – https://script-consultant.co.uk/production-companies/ DEVELOPMENT CONSULTANCY Having run the
Hi There, This fortnight, a very big THANK YOU to JAMIE HEWITT for providing me with his thoughts about GENERAL MEETINGS FOR WRITERS. Jamie is a very experienced and outstanding
Hi There, LOGLINES In the last couple of years, we have asked writers submitting projects to the Channel 4 screenwriting course to also submit loglines. I realise this can be
Hi There, This week, the final reader feedback from the 2024 Channel 4 screenwriting course – this by Ray McBride – ARTIFICIAL INTELLIGENCE by Raybot-2000 Oh! One reads 100s of
Hi There, This fortnight’s screenwriting newsletter is the penultimate reader feedback from the 2024 Channel 4 screenwriting course readers. (The final missive by the brilliant Ray McBride will feature in
THE MAGIC STORY TREE? What I’m trying to illustrate here is just how many amazing stories (and character ideas) there are out there in the big wide world, stories available
I have been creating industry relevant blog posts and newsletters for many years. These posts provide invaluable insight and advice to both scriptwriters and producers. I’ve included a selection below, but to find specific categories and posts click on the link to visit my news page.
Hi There, SCREENWRITING THE CRAFT AND THE CAREER by PHILIP SHELLEY Please excuse this 2nd newsletter about my book, published yesterday Thursday January 23rd – it’s important to me and I hope will
Hi There, And Happy New Year! My newsletter returns with some random musings about storytelling for the screen – TROPES & MYTHS I really enjoyed this question and answer from RICHARD LINKLATER’S Q&A
Dear All, SCREENWRITING – THE CRAFT AND THE CAREER by PHILIP SHELLEY https://www.nickhernbooks.co.uk/screenwriting Following up on last Friday’s newsletter teaser, I’m delighted to be able to share with you that I have written
Hi There, This fortnight – a teaser and more recommendations. TEASER! I’ve been reading a LOT of these (teasers) in the scripts submitted for the 2025 Channel 4 screenwriting course and here is
Hi There, This fortnight – some recommendations of writing about writing. I’ve recently read these excellent books – LIKE BROTHERS by Mark and Jay Duplass Part memoir and part instructional book for budding
Hi There, It’s blindingly obvious that the most important thing for budding screenwriters is your writing – your ability to tell a story compellingly and entertainingly. But my experience working with so many
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