SCRIPT LIBRARY – 12 NEW SCRIPTS
Hi There, I’m very pleased to have been able to add 12 new scripts to my website SCRIPT LIBRARY. https://script-consultant.co.uk/script-library/ One of the things that is brought home to
I have been writing these fortnightly newsletters for over a decade on many different aspects of screenwriting and storytelling. So this has grown into a fairly huge online resource for screenwriters.
We have tried to break the newsletters into useful categories so that you can access the subjects that interest you.
I have covered many subjects over the years – including PITCHING, CHARACTERISATION, LITERARY AGENTS, many recommendations of inspiring and brilliant shows and scripts; and interviews with many fascinating screenwriters and producers.
I hope you will have fun dipping into some of the old newsletters; and I hope that they will be helpful and energising for your screenwriting.
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Hi There, I’m very pleased to have been able to add 12 new scripts to my website SCRIPT LIBRARY. https://script-consultant.co.uk/script-library/ One of the things that is brought home to
CHANNEL 4 SCREENWRITING COURSE – THIS YEAR’S 12 SCRIPTS ‘Screenwriting is strange because you start imagining a purely visual story — but the first stage is to reduce it to
Hi There, An apology – but this week’s newsletter is entirely self-publicising – for a new / updated part of my script consultancy – https://script-consultant.co.uk/production-companies/ DEVELOPMENT CONSULTANCY Having run the
Hi There, This fortnight, a very big THANK YOU to JAMIE HEWITT for providing me with his thoughts about GENERAL MEETINGS FOR WRITERS. Jamie is a very experienced and outstanding
Hi There, LOGLINES In the last couple of years, we have asked writers submitting projects to the Channel 4 screenwriting course to also submit loglines. I realise this can be
Hi There, This week, the final reader feedback from the 2024 Channel 4 screenwriting course – this by Ray McBride – ARTIFICIAL INTELLIGENCE by Raybot-2000 Oh! One reads 100s of
Hi There, This fortnight’s screenwriting newsletter is the penultimate reader feedback from the 2024 Channel 4 screenwriting course readers. (The final missive by the brilliant Ray McBride will feature in
THE MAGIC STORY TREE? What I’m trying to illustrate here is just how many amazing stories (and character ideas) there are out there in the big wide world, stories available
Hi There, This week, further script reader feedback from the 2024 Channel 4 screenwriting course. This fortnight, from the excellent Jon Champion. Jon did a brilliant job as a reader
Hi There, In this newsletter – feedback from two more of the script readers from the 2024 Channel 4 screenwriting course. A massive thank you to RACHA and TOM, who
I have been creating industry relevant blog posts and newsletters for many years. These posts provide invaluable insight and advice to both scriptwriters and producers. I’ve included a selection below, but to find specific categories and posts click on the link to visit my news page.
Dear All, SCREENWRITING – THE CRAFT AND THE CAREER by PHILIP SHELLEY https://www.nickhernbooks.co.uk/screenwriting Following up on last Friday’s newsletter teaser, I’m delighted to be able to share with you that I have written
Hi There, This fortnight – a teaser and more recommendations. TEASER! I’ve been reading a LOT of these (teasers) in the scripts submitted for the 2025 Channel 4 screenwriting course and here is
Hi There, This fortnight – some recommendations of writing about writing. I’ve recently read these excellent books – LIKE BROTHERS by Mark and Jay Duplass Part memoir and part instructional book for budding
Hi There, It’s blindingly obvious that the most important thing for budding screenwriters is your writing – your ability to tell a story compellingly and entertainingly. But my experience working with so many
BIOPICS It seems to me that BIOPICS are one of the hardest genres to nail. There are just so many pitfalls to avoid with this – extremely well-worn – genre. Some of those
How to get an agent By: Jenny Takahashi Stark How do you get an agent? Like, how the HELL do you get an agent?? That’s the question I kept asking myself a few
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