MATT HAIG CHARACTER DEVELOPMENT MASTER-CLASS PART 2
THE TWO PHILS GUIDE TO WRITING AND SELLING A GREAT SCREENPLAY Weekend course London May 16 – 17. A course for screenwriters of all levels of experience. Run by PHIL
I have been writing these fortnightly newsletters for over a decade on many different aspects of screenwriting and storytelling. So this has grown into a fairly huge online resource for screenwriters.
We have tried to break the newsletters into useful categories so that you can access the subjects that interest you.
I have covered many subjects over the years – including PITCHING, CHARACTERISATION, LITERARY AGENTS, many recommendations of inspiring and brilliant shows and scripts; and interviews with many fascinating screenwriters and producers.
I hope you will have fun dipping into some of the old newsletters; and I hope that they will be helpful and energising for your screenwriting.
* by entering your e-mail address you are agreeing to receive regular newsletters. You can opt out by clicking unsubscribe at any time.
THE TWO PHILS GUIDE TO WRITING AND SELLING A GREAT SCREENPLAY Weekend course London May 16 – 17. A course for screenwriters of all levels of experience. Run by PHIL
THE TWO PHILS GUIDE TO WRITING AND SELLING A GREAT SCREENPLAY Weekend course London May 16 – 17. A course for screenwriters of all levels of experience. Run by PHIL
THE TWO PHILS GUIDE TO WRITING AND SELLING A GREAT SCREENPLAY Weekend course London May 16 – 17. A course for screenwriters of all levels of experience. Run by PHIL
THE TWO PHILS WEEKEND GUIDE TO THE CRAFT AND BUSINESS OF SCREENWRITING May 16-17, London. Hi There, Phil Gladwin and I are delighted to be re-launching this two day
CREATIVITY FOR SCRIPTWRITERS 1 day course London Saturday Feb 21st A course for scriptwriters in all media – TV, film, radio, theatre – designed to help you generate exciting ideas
CREATIVITY FOR SCRIPTWRITERS 1 day course London Saturday Feb 21st A course for scriptwriters in all media – TV, film, radio, theatre – designed to help you generate exciting ideas
CREATIVITY FOR SCRIPTWRITERS 1 day course London Saturday Feb 21st A course for scriptwriters in all media – TV, film, radio, theatre – designed to help you generate exciting ideas
CREATIVITY FOR SCRIPTWRITERS 1 day course London Saturday Feb 21st A course for scriptwriters in all media – TV, film, radio, theatre – designed to help you generate exciting ideas
CREATIVITY FOR SCRIPTWRITERS 1 day course London Saturday Feb 21st A course for scriptwriters in all media – TV, film, radio, theatre – designed to help you generate exciting ideas
CREATIVITY FOR SCRIPTWRITERS 1 day course London Saturday Feb 21st A course for scriptwriters in all media – TV, film, radio, theatre – designed to help you generate exciting ideas
I have been creating industry relevant blog posts and newsletters for many years. These posts provide invaluable insight and advice to both scriptwriters and producers. I’ve included a selection below, but to find specific categories and posts click on the link to visit my news page.
Hi There, This fortnight, some recommendations. Some of the outstanding stories I have read and watched in the last few months, but first… SCRIPT READING & DEVELOPMENT Q&A September 10th 2025 The next
THIS IS A TRUE STORY Except, in the case of The Salt Path it turns out it may not be. I have read and enjoyed the book and this week went to see
Hi There, 20 SCREENWRITERS IN 1 ROOM FOR 2 DAYS This past weekend I ran my 2 day screenwriting course – for the first time for 3 years. I really enjoyed it and
Hi There, On Wednesday afternoon I was lucky enough to go to a matinee preview at the National Theatre of the revival of LONDON ROAD. This is a verbatim musical about the community
GREENLIGHT SCREENWRITING LAB: 1st Weekend Galway May 10-11 I was lucky enough to go to Galway earlier in May for the first weekend of this year’s GREENLIGHT SCREENWRITING LAB, a scheme for new
DRAMATIC IRONY by Tom Hanham HELP! I don’t have much time. I’m being held hostage and Philip Shelley is forcing me to write a newsletter, I don’t even know what dramatic irony is…
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