NEW WRITING FESTIVALS
Hi There, For the last two weekends I have indulged myself by going to two FESTIVALS – on April 28th the Sundance London Film Festival and on May 5th the
I have been writing these fortnightly newsletters for over a decade on many different aspects of screenwriting and storytelling. So this has grown into a fairly huge online resource for screenwriters.
We have tried to break the newsletters into useful categories so that you can access the subjects that interest you.
I have covered many subjects over the years – including PITCHING, CHARACTERISATION, LITERARY AGENTS, many recommendations of inspiring and brilliant shows and scripts; and interviews with many fascinating screenwriters and producers.
I hope you will have fun dipping into some of the old newsletters; and I hope that they will be helpful and energising for your screenwriting.
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Hi There, For the last two weekends I have indulged myself by going to two FESTIVALS – on April 28th the Sundance London Film Festival and on May 5th the
‘It takes years of screenwriting to have an overnight success. It also takes talent, willpower, determination, grit and more than anything – it requires failure.’ This was the premise of
BROADCHURCH revisited NB If you haven’t watched it and still want to – then read on – I’ve tried my hardest not to include SPOILERS! Hi There, So BROADCHURCH (series1!)
Hi There, Thinking about our for upcoming weekend screenwriting course (May 11-12) with special guest speaker BBC drama script editor ESTHER SPRINGER, something I’m often reminded of is that
Hi There, I’m really delighted this week to share with you a guest article written by screenwriter NEIL McKAY. I worked with Neil on my first ever script-editing job, MEDICS,
Hi There, NOW BOOKING for THE AUTHORITATIVE GUIDE TO WRITING AND SELLING A GREAT SCREENPLAY, Central London May 11-12. Our finely-tuned weekend course that spends day 1 on the craft
Hi There, ‘a gripping psychological thriller… masterpiece… brilliant: a noir psychological thriller – like a 21st-century Marnie, or Rosemary’s Baby… a gripping and disturbing thriller‘ Unbelievably (to me) these are
Hi There, I’ve had a hectic but very enjoyable week working with a lot of different screenwriters. Last weekend was the March edition of ‘The Two Phils’ Guide to Writing
Hi there, Still enjoying ITV drama series BROADCHURCH, I’m suddenly finding it tiresome having to wait a week for the next episode. Because over the last few years, like so
Hi there, BROADCHURCH – new 8x 60’ ITV series. Mondays 9pm What I liked so much about BROADCHURCH episode one was that it was very conventional subject-matter – a story
I have been creating industry relevant blog posts and newsletters for many years. These posts provide invaluable insight and advice to both scriptwriters and producers. I’ve included a selection below, but to find specific categories and posts click on the link to visit my news page.
THIS IS A TRUE STORY Except, in the case of The Salt Path it turns out it may not be. I have read and enjoyed the book and this week went to see
Hi There, 20 SCREENWRITERS IN 1 ROOM FOR 2 DAYS This past weekend I ran my 2 day screenwriting course – for the first time for 3 years. I really enjoyed it and
Hi There, On Wednesday afternoon I was lucky enough to go to a matinee preview at the National Theatre of the revival of LONDON ROAD. This is a verbatim musical about the community
GREENLIGHT SCREENWRITING LAB: 1st Weekend Galway May 10-11 I was lucky enough to go to Galway earlier in May for the first weekend of this year’s GREENLIGHT SCREENWRITING LAB, a scheme for new
DRAMATIC IRONY by Tom Hanham HELP! I don’t have much time. I’m being held hostage and Philip Shelley is forcing me to write a newsletter, I don’t even know what dramatic irony is…
Hi There, As you will see, this newsletter is very much longer than usual. This is a short story sent to me by writer DAVID ARMSTRONG. David is one of my favourite novelists.
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