A NEW SCRIPT LIBRARY
Hi There, The series of blogs about the readers’ responses to the scripts and the script-reading process from the 2022 Channel 4 Screenwriting Course will begin in my first newsletter
I have been writing these fortnightly newsletters for over a decade on many different aspects of screenwriting and storytelling. So this has grown into a fairly huge online resource for screenwriters.
We have tried to break the newsletters into useful categories so that you can access the subjects that interest you.
I have covered many subjects over the years – including PITCHING, CHARACTERISATION, LITERARY AGENTS, many recommendations of inspiring and brilliant shows and scripts; and interviews with many fascinating screenwriters and producers.
I hope you will have fun dipping into some of the old newsletters; and I hope that they will be helpful and energising for your screenwriting.
* by entering your e-mail address you are agreeing to receive regular newsletters. You can opt out by clicking unsubscribe at any time.
Hi There, The series of blogs about the readers’ responses to the scripts and the script-reading process from the 2022 Channel 4 Screenwriting Course will begin in my first newsletter
Hi There, Every year, I have a hugely enjoyable and educational 7 weeks in which myself and my team of 7 readers read and discuss the scripts submitted for
STORY, IDEAS, NARRATIVE STRUCTURE – AND SPORT Clearly one of the most important aspects of any story / screenplay is the idea at the heart of the script. Is your
Hi There, YOUR STORY ON THE PAGE Me and my team of 7 readers are now in the thick of reading the 2k+ scripts submitted for the 2022 C4 screenwriting
Hi There, This week’s newsletter is written by script reader / editor, DANNY MORAN. Danny is a freelance script editor and reader with over 7 years of experience. He’s worked
Hi There, This week I want to share with you an email I received a few weeks ago from Australian screenwriter PADDY MACRAE. Apologies if this is a little
Hi There, CHANNEL 4 SCREENWRITING COURSE 2022 Entries for the 2022 C4 screenwriting course opened on Tuesday Sept 14th and the entry period closes on Friday Oct 1st at 5pm.
Hi There, This fortnight, some thoughts about current Sky Atlantic / Now TV 6 part serial / mini-series THE WHITE LOTUS – which I just binged over three evenings –
Hi There, In the past few weeks I have been revamping / redesigning my website, hoping to bring greater clarity to it and also offering some new features. In this
Hi There, This week, I’m indebted to SAM FERGUSON for sharing his thoughts. In his own words – ‘Sam is the Development Coordinator at Motive Pictures. Before that he has
I have been creating industry relevant blog posts and newsletters for many years. These posts provide invaluable insight and advice to both scriptwriters and producers. I’ve included a selection below, but to find specific categories and posts click on the link to visit my news page.
Hi There, And Happy New Year! My newsletter returns with some random musings about storytelling for the screen – TROPES & MYTHS I really enjoyed this question and answer from RICHARD LINKLATER’S Q&A
Dear All, SCREENWRITING – THE CRAFT AND THE CAREER by PHILIP SHELLEY https://www.nickhernbooks.co.uk/screenwriting Following up on last Friday’s newsletter teaser, I’m delighted to be able to share with you that I have written
Hi There, This fortnight – a teaser and more recommendations. TEASER! I’ve been reading a LOT of these (teasers) in the scripts submitted for the 2025 Channel 4 screenwriting course and here is
Hi There, This fortnight – some recommendations of writing about writing. I’ve recently read these excellent books – LIKE BROTHERS by Mark and Jay Duplass Part memoir and part instructional book for budding
Hi There, It’s blindingly obvious that the most important thing for budding screenwriters is your writing – your ability to tell a story compellingly and entertainingly. But my experience working with so many
BIOPICS It seems to me that BIOPICS are one of the hardest genres to nail. There are just so many pitfalls to avoid with this – extremely well-worn – genre. Some of those
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