UNHAPPY ANNIVERSARY – Screenwriter Responses Part 2
Hi There, This week the 2nd and final selection from your wonderful, fascinating responses to my newsletter of March 19th on a year of living with the pandemic – ‘I
I have been writing these fortnightly newsletters for over a decade on many different aspects of screenwriting and storytelling. So this has grown into a fairly huge online resource for screenwriters.
We have tried to break the newsletters into useful categories so that you can access the subjects that interest you.
I have covered many subjects over the years – including PITCHING, CHARACTERISATION, LITERARY AGENTS, many recommendations of inspiring and brilliant shows and scripts; and interviews with many fascinating screenwriters and producers.
I hope you will have fun dipping into some of the old newsletters; and I hope that they will be helpful and energising for your screenwriting.
* by entering your e-mail address you are agreeing to receive regular newsletters. You can opt out by clicking unsubscribe at any time.
Hi There, This week the 2nd and final selection from your wonderful, fascinating responses to my newsletter of March 19th on a year of living with the pandemic – ‘I
Hi There, I’ve been blown away by the responses I got to my last newsletter about the year of lockdown we’ve just gone through. So many brilliant, thought-provoking, powerful pieces
Hi There, I don’t know about you but I’m still in a low-level state of disbelief and shock about what we’ve been through over the last year. I keep thinking
Hi There, This week a guest newsletter from playwright and screenwriter, EMMA PRITCHARD. Emma was on the Channel 4 screenwriting course in 2019. She has a number of commissions for
Hi There, At the end of January we had three days on zoom with a number of industry guests for the 1st ‘weekend’ of the 2021 CHANNEL 4 SCREENWRITING COURSE.
Hi There, This week, the 2nd part of the readers’ feedback about the script submissions for the 2021 Channel 4 screenwriting course. The Originality Myth This year, each reader leapt
Hi There, I want to wish you all a very HAPPY NEW YEAR and let’s hope it’s a big improvement on 2020 (despite rather unpromising first impressions!). This week and
Hey! I’m Sarah Milton and I was on the 2019 4Screenwriting course. Do you remember that year? It’s when we weren’t all drowning in hand sanitiser and could hang out
Hi There, This week a guest blog by screenwriter ANNALISA D’INNELLA, who has been on the Channel 4 screenwriting course this year. Annalisa is working on original projects with several
Hi There, CHANNEL 4 SCREENWRITING COURSE 2021 – UPDATE Because of the huge number of scripts we received this year, the timetable for the interviews has been pushed back. The
I have been creating industry relevant blog posts and newsletters for many years. These posts provide invaluable insight and advice to both scriptwriters and producers. I’ve included a selection below, but to find specific categories and posts click on the link to visit my news page.
Hi There, This fortnight, some recommendations. Some of the outstanding stories I have read and watched in the last few months, but first… SCRIPT READING & DEVELOPMENT Q&A September 10th 2025 The next
THIS IS A TRUE STORY Except, in the case of The Salt Path it turns out it may not be. I have read and enjoyed the book and this week went to see
Hi There, 20 SCREENWRITERS IN 1 ROOM FOR 2 DAYS This past weekend I ran my 2 day screenwriting course – for the first time for 3 years. I really enjoyed it and
Hi There, On Wednesday afternoon I was lucky enough to go to a matinee preview at the National Theatre of the revival of LONDON ROAD. This is a verbatim musical about the community
GREENLIGHT SCREENWRITING LAB: 1st Weekend Galway May 10-11 I was lucky enough to go to Galway earlier in May for the first weekend of this year’s GREENLIGHT SCREENWRITING LAB, a scheme for new
DRAMATIC IRONY by Tom Hanham HELP! I don’t have much time. I’m being held hostage and Philip Shelley is forcing me to write a newsletter, I don’t even know what dramatic irony is…
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