Screenwriting and Script Editing Course feedback
In the past two years I have run or participated in a number of courses in both screenwriting and script-editing, and in this post I include some of the positive
January 4, 2011
I have been writing these fortnightly newsletters for over a decade on many different aspects of screenwriting and storytelling. So this has grown into a fairly huge online resource for screenwriters.
We have tried to break the newsletters into useful categories so that you can access the subjects that interest you.
I have covered many subjects over the years – including PITCHING, CHARACTERISATION, LITERARY AGENTS, many recommendations of inspiring and brilliant shows and scripts; and interviews with many fascinating screenwriters and producers.
I hope you will have fun dipping into some of the old newsletters; and I hope that they will be helpful and energising for your screenwriting.
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In the past two years I have run or participated in a number of courses in both screenwriting and script-editing, and in this post I include some of the positive
Hugely successful TV screenwriter TONY MCHALE, who has written on so many of the top UK TV drama shows of the last 20 years, answers my questions about his career,
A brief reminder that the REWRITE course I am doing in Edinburgh on Oct 2nd is now less than two weeks away! Apologies if you’ve already booked a place, but
On Saturday October 2nd, I will be running this course, designed for both writers and script editors, with Adrian Mead’s company MeadKerr in Edinburgh. I hope to see you there!
A bit late in the day to report back about this but better late than never. On Thursday May 27th I was part of a panel discussion, along with Ceri
Running this website has given me a deep fasination into what makes a good ‘romcom’ as I have been sent several examples of the genre, some very good. It’s such
Here is information from Ceri Meyrick about how to apply for this year’s BBC Writer’s Academy. Good Luck! The next generation of TV writers are being sought by the BBC
I am running a one day intensive ‘Insider’s Guide To Script Editing’ course in Central London on Saturday April 10th, in association with Initialize Films. Guest speaker is writer PAUL
Here’s a link to a paper by the very aptly named American academic JAMES CUTTING which discusses the differences between our perception of film shots and scenes, and how we
FILM CRITICS Seeing the recent critical pasting received by the film The Boys Are Back made me think about how much we all rely on film critics to inform us