SCRIPT READER FEEDBACK PART 5 – voice, voiceover, breaking the 4th wall & more
Hi There, This week, Part 5 of the feedback from the script readers from the 2022 CHANNEL 4 SCREENWRITING COURSE, first by NADIA ATTIA, and then by TOM WILLIAMS
I have been writing these fortnightly newsletters for over a decade on many different aspects of screenwriting and storytelling. So this has grown into a fairly huge online resource for screenwriters.
We have tried to break the newsletters into useful categories so that you can access the subjects that interest you.
I have covered many subjects over the years – including PITCHING, CHARACTERISATION, LITERARY AGENTS, many recommendations of inspiring and brilliant shows and scripts; and interviews with many fascinating screenwriters and producers.
I hope you will have fun dipping into some of the old newsletters; and I hope that they will be helpful and energising for your screenwriting.
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Hi There, This week, Part 5 of the feedback from the script readers from the 2022 CHANNEL 4 SCREENWRITING COURSE, first by NADIA ATTIA, and then by TOM WILLIAMS
Hi There, This fortnight, channel 4 screenwriting course 2022, script reader feedback Part 4, from Matthew Hirons. Matt is a shadow script editor on 4screenwriting 2022. He has a Distinction
Hi There, This week, Part 3 of the feedback from the script readers for the 2022 CHANNEL 4 SCREENWRITING COURSE, this fortnight, from BECKY LATHAM, deputy literary manager
Hi There, Happy New Year! And welcome back to my fortnightly screenwriting newsletter. I hope you had a good Christmas break and are feeling mentally refreshed and ready to write
Hi There, The series of blogs about the readers’ responses to the scripts and the script-reading process from the 2022 Channel 4 Screenwriting Course will begin in my first newsletter
Hi There, Every year, I have a hugely enjoyable and educational 7 weeks in which myself and my team of 7 readers read and discuss the scripts submitted for
STORY, IDEAS, NARRATIVE STRUCTURE – AND SPORT Clearly one of the most important aspects of any story / screenplay is the idea at the heart of the script. Is your
Hi There, YOUR STORY ON THE PAGE Me and my team of 7 readers are now in the thick of reading the 2k+ scripts submitted for the 2022 C4 screenwriting
Hi There, This week’s newsletter is written by script reader / editor, DANNY MORAN. Danny is a freelance script editor and reader with over 7 years of experience. He’s worked
Hi There, This week I want to share with you an email I received a few weeks ago from Australian screenwriter PADDY MACRAE. Apologies if this is a little
I have been creating industry relevant blog posts and newsletters for many years. These posts provide invaluable insight and advice to both scriptwriters and producers. I’ve included a selection below, but to find specific categories and posts click on the link to visit my news page.
Hi There, This fortnight, some recommendations. Some of the outstanding stories I have read and watched in the last few months, but first… SCRIPT READING & DEVELOPMENT Q&A September 10th 2025 The next
THIS IS A TRUE STORY Except, in the case of The Salt Path it turns out it may not be. I have read and enjoyed the book and this week went to see
Hi There, 20 SCREENWRITERS IN 1 ROOM FOR 2 DAYS This past weekend I ran my 2 day screenwriting course – for the first time for 3 years. I really enjoyed it and
Hi There, On Wednesday afternoon I was lucky enough to go to a matinee preview at the National Theatre of the revival of LONDON ROAD. This is a verbatim musical about the community
GREENLIGHT SCREENWRITING LAB: 1st Weekend Galway May 10-11 I was lucky enough to go to Galway earlier in May for the first weekend of this year’s GREENLIGHT SCREENWRITING LAB, a scheme for new
DRAMATIC IRONY by Tom Hanham HELP! I don’t have much time. I’m being held hostage and Philip Shelley is forcing me to write a newsletter, I don’t even know what dramatic irony is…
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