STORY!
STORY At the recent first weekend of this year’s Channel 4 screenwriting course, screenwriter & novelist RONAN BENNETT (Top Boy, Hidden, Rebel Heart, Public Enemies)
STORY At the recent first weekend of this year’s Channel 4 screenwriting course, screenwriter & novelist RONAN BENNETT (Top Boy, Hidden, Rebel Heart, Public Enemies)
Watching the turgid ‘THE HOUR’ on BBC2 last night made me think about the state of current UK TV drama – I find myself in
A bit late in the day, some thoughts about activities generated through the website in 2010:- The main work I did last year was unquestionably
Running this website has given me a deep fasination into what makes a good ‘romcom’ as I have been sent several examples of the genre,
Here’s a link to a paper by the very aptly named American academic JAMES CUTTING which discusses the differences between our perception of film shots
FILM CRITICS Seeing the recent critical pasting received by the film The Boys Are Back made me think about how much we all rely on
http://www.guardian.co.uk/education/2009/dec/01/research-tv-drama-csi Here’s a link to an interesting article from The Guardian. Some boffins try to apply a scientific \ mathematical approach to script analysis. Interesting
www.script-consultant.co.uk has just passed its first anniversary and I thought I’d briefly reflect on the first year. Above all, it’s been a lot of fun.
A little while ago I went to a screenwriting talk in London. It was run by a US screenwriter, and it was about STRUCTURE. The
Thinking about the best screen drama I saw in 2008, The Shooting of Thomas Hurndall was somewhere at the top of the list. Soon after