Screenwriting course London Sept 24-25
Early Bird Discount – Last Few Days “The Authoritative Guide to Writing – And Selling! – a Great Screenplay” Sat-Sun 24th and 25th September, 10am – 5.30pm Central London You
I have been writing these fortnightly newsletters for over a decade on many different aspects of screenwriting and storytelling. So this has grown into a fairly huge online resource for screenwriters.
We have tried to break the newsletters into useful categories so that you can access the subjects that interest you.
I have covered many subjects over the years – including PITCHING, CHARACTERISATION, LITERARY AGENTS, many recommendations of inspiring and brilliant shows and scripts; and interviews with many fascinating screenwriters and producers.
I hope you will have fun dipping into some of the old newsletters; and I hope that they will be helpful and energising for your screenwriting.
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Early Bird Discount – Last Few Days “The Authoritative Guide to Writing – And Selling! – a Great Screenplay” Sat-Sun 24th and 25th September, 10am – 5.30pm Central London You
I’m delighted to announce two more screenwriting courses this Autumn, led by myself and screenwriter Phil Gladwin, one in London (Sept 24 + 25), one in Glasgow (Nov 12 +
Watching the turgid ‘THE HOUR’ on BBC2 last night made me think about the state of current UK TV drama – I find myself in so many conversations these days
The weekend has been and gone and with it the first ‘screenwriters studio’ screenwriting course – ‘An Authoritative Guide To Writing – And Selling A Great Screenplay.’ The whole weekend
On July 16th and 17th in central London I am running a new course – ‘The Authoritative Guide To Writing – And Selling – A Great Screenplay’. Places are filling
I went to see ‘Tactical Questioning’ at the Tricycle Theatre, Kilburn, London on Friday night – a play contructuted from editing the transcripts of the inquiry into the death of
http://t.co/r7aklFD Very good news for comedy writers. Michael Jacob worked at the BBC for years, has been involved in high level comedy for years and knws his stuff. Philip Shelley
Currently on CBBC is screenwriter ALISON HUME’s new 13 part series, THE SPARTICLE MYSTERY. This is a really excellent new series from one of British TV’s most exciting and original
A bit late in the day, some thoughts about activities generated through the website in 2010:- The main work I did last year was unquestionably writing \ script-consulting work on
This week’s interviewee is the British screen writer ASHLEY PHAROAH. Ashley has a fantastic track record in UK TV drama and is originator of some of the best and most
I have been creating industry relevant blog posts and newsletters for many years. These posts provide invaluable insight and advice to both scriptwriters and producers. I’ve included a selection below, but to find specific categories and posts click on the link to visit my news page.
THIS IS A TRUE STORY Except, in the case of The Salt Path it turns out it may not be. I have read and enjoyed the book and this week went to see
Hi There, 20 SCREENWRITERS IN 1 ROOM FOR 2 DAYS This past weekend I ran my 2 day screenwriting course – for the first time for 3 years. I really enjoyed it and
Hi There, On Wednesday afternoon I was lucky enough to go to a matinee preview at the National Theatre of the revival of LONDON ROAD. This is a verbatim musical about the community
GREENLIGHT SCREENWRITING LAB: 1st Weekend Galway May 10-11 I was lucky enough to go to Galway earlier in May for the first weekend of this year’s GREENLIGHT SCREENWRITING LAB, a scheme for new
DRAMATIC IRONY by Tom Hanham HELP! I don’t have much time. I’m being held hostage and Philip Shelley is forcing me to write a newsletter, I don’t even know what dramatic irony is…
Hi There, As you will see, this newsletter is very much longer than usual. This is a short story sent to me by writer DAVID ARMSTRONG. David is one of my favourite novelists.
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