script-consultant review 0f 2010
A bit late in the day, some thoughts about activities generated through the website in 2010:- The main work I did last year was unquestionably writing \ script-consulting work on
I have been writing these fortnightly newsletters for over a decade on many different aspects of screenwriting and storytelling. So this has grown into a fairly huge online resource for screenwriters.
We have tried to break the newsletters into useful categories so that you can access the subjects that interest you.
I have covered many subjects over the years – including PITCHING, CHARACTERISATION, LITERARY AGENTS, many recommendations of inspiring and brilliant shows and scripts; and interviews with many fascinating screenwriters and producers.
I hope you will have fun dipping into some of the old newsletters; and I hope that they will be helpful and energising for your screenwriting.
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A bit late in the day, some thoughts about activities generated through the website in 2010:- The main work I did last year was unquestionably writing \ script-consulting work on
This week’s interviewee is the British screen writer ASHLEY PHAROAH. Ashley has a fantastic track record in UK TV drama and is originator of some of the best and most
A couple of links to publicity for the C4 screenwriting course I am currently running:- http://www.thestage.co.uk/news/newsstory.php/31040/channel-4-launches-new-screenwriting-course http://www.broadcastnow.co.uk/news/broadcasters/c4-launches-drama-writing-course/5022630.article?query=0 Regards Philip PHILIP SHELLEY script-consultant Jan 27th 2011
In the past two years I have run or participated in a number of courses in both screenwriting and script-editing, and in this post I include some of the positive
Hugely successful TV screenwriter TONY MCHALE, who has written on so many of the top UK TV drama shows of the last 20 years, answers my questions about his career,
A brief reminder that the REWRITE course I am doing in Edinburgh on Oct 2nd is now less than two weeks away! Apologies if you’ve already booked a place, but
On Saturday October 2nd, I will be running this course, designed for both writers and script editors, with Adrian Mead’s company MeadKerr in Edinburgh. I hope to see you there!
A bit late in the day to report back about this but better late than never. On Thursday May 27th I was part of a panel discussion, along with Ceri
Running this website has given me a deep fasination into what makes a good ‘romcom’ as I have been sent several examples of the genre, some very good. It’s such
Here is information from Ceri Meyrick about how to apply for this year’s BBC Writer’s Academy. Good Luck! The next generation of TV writers are being sought by the BBC
I have been creating industry relevant blog posts and newsletters for many years. These posts provide invaluable insight and advice to both scriptwriters and producers. I’ve included a selection below, but to find specific categories and posts click on the link to visit my news page.
Hi There, This fortnight, some of the notes I made as I was reading script submissions for the 2025 Channel 4 screenwriting course. None of these are ‘rules’ (there are no rules!), just
Yes, it’s a cheery one. At the risk of being extremely depressing, I have been thinking, for various reasons, about death quite a lot recently. And that led onto thinking about the
ONE DAY INTRODUCTION TO SCREENWRITING COURSE London Saturday March 22nd I’m delighted to be running this one day course for the first time for 2 years and I am now taking bookings. Please
Hi There, This fortnight I look back at the 1st weekend of the 2025 CHANNEL 4 SCREENWRITING COURSE, which we held at C4’s offices in London over the weekend of Jan 18
Hi There, SCREENWRITING THE CRAFT AND THE CAREER by PHILIP SHELLEY Please excuse this 2nd newsletter about my book, published yesterday Thursday January 23rd – it’s important to me and I hope will
Hi There, And Happy New Year! My newsletter returns with some random musings about storytelling for the screen – TROPES & MYTHS I really enjoyed this question and answer from RICHARD LINKLATER’S Q&A
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