SCRIPT EDITING COURSE
I am running a one day intensive ‘Insider’s Guide To Script Editing’ course in Central London on Saturday April 10th, in association with Initialize Films. Guest speaker is writer PAUL
I have been writing these fortnightly newsletters for over a decade on many different aspects of screenwriting and storytelling. So this has grown into a fairly huge online resource for screenwriters.
We have tried to break the newsletters into useful categories so that you can access the subjects that interest you.
I have covered many subjects over the years – including PITCHING, CHARACTERISATION, LITERARY AGENTS, many recommendations of inspiring and brilliant shows and scripts; and interviews with many fascinating screenwriters and producers.
I hope you will have fun dipping into some of the old newsletters; and I hope that they will be helpful and energising for your screenwriting.
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I am running a one day intensive ‘Insider’s Guide To Script Editing’ course in Central London on Saturday April 10th, in association with Initialize Films. Guest speaker is writer PAUL
Here’s a link to a paper by the very aptly named American academic JAMES CUTTING which discusses the differences between our perception of film shots and scenes, and how we
FILM CRITICS Seeing the recent critical pasting received by the film The Boys Are Back made me think about how much we all rely on film critics to inform us
http://www.guardian.co.uk/education/2009/dec/01/research-tv-drama-csi Here’s a link to an interesting article from The Guardian. Some boffins try to apply a scientific \ mathematical approach to script analysis. Interesting how they quite successfully boil
London Film Festival – Studies in Narrative Structure Last week I went to 4 very different films at this year’s LFF, and they proved very inspiring and creatively energising. They
DAMIAN WAYLING INTERVIEW Damian is a writer whom I first met when he was on the Carlton new writers course some years ago. It was clear then that he had
Just a quick one to recommend ( a bit late in the day) the current BBC series ‘The Street’. For me, these shows are object lessons in top-quality dramatic story-telling.
Two really interesting articles, one recent, one not so recent. Firstly, an excellent article by US screenwriter SHANE BLACK from last week’s Guardian, with tips on how to write an
www.script-consultant.co.uk has just passed its first anniversary and I thought I’d briefly reflect on the first year. Above all, it’s been a lot of fun. Generally speaking I’ve read a
Some more recommended books about screen-writing that may be of interest:- The Pitch by Eileen Quinn & Judy Counihan As far as I’m aware the only UK book specifically about
I have been creating industry relevant blog posts and newsletters for many years. These posts provide invaluable insight and advice to both scriptwriters and producers. I’ve included a selection below, but to find specific categories and posts click on the link to visit my news page.
Hi There, This fortnight, some of the notes I made as I was reading script submissions for the 2025 Channel 4 screenwriting course. None of these are ‘rules’ (there are no rules!), just
Yes, it’s a cheery one. At the risk of being extremely depressing, I have been thinking, for various reasons, about death quite a lot recently. And that led onto thinking about the
ONE DAY INTRODUCTION TO SCREENWRITING COURSE London Saturday March 22nd I’m delighted to be running this one day course for the first time for 2 years and I am now taking bookings. Please
Hi There, This fortnight I look back at the 1st weekend of the 2025 CHANNEL 4 SCREENWRITING COURSE, which we held at C4’s offices in London over the weekend of Jan 18
Hi There, SCREENWRITING THE CRAFT AND THE CAREER by PHILIP SHELLEY Please excuse this 2nd newsletter about my book, published yesterday Thursday January 23rd – it’s important to me and I hope will
Hi There, And Happy New Year! My newsletter returns with some random musings about storytelling for the screen – TROPES & MYTHS I really enjoyed this question and answer from RICHARD LINKLATER’S Q&A
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