APPLES AND ORANGES – 4SCREENWRITING READER FEEDBACK
C4 SCREENWRITING COURSE – NOTES ON READING Hi There, After Karen Featherstone’s excellent feedback last fortnight, here are some of the notes I made while
C4 SCREENWRITING COURSE – NOTES ON READING Hi There, After Karen Featherstone’s excellent feedback last fortnight, here are some of the notes I made while
THAT CHRIS MATTHEWS MOMENT I was reminded of this because England are currently playing a cricket test match vs Australia at the Gabba in Brisbane.
THIS IS A TRUE STORY Except, in the case of The Salt Path it turns out it may not be. I have read and enjoyed
Hi There, On Wednesday afternoon I was lucky enough to go to a matinee preview at the National Theatre of the revival of LONDON ROAD.
DRAMATIC IRONY by Tom Hanham HELP! I don’t have much time. I’m being held hostage and Philip Shelley is forcing me to write a newsletter,
Hi There, This fortnight, some reader feedback from the excellent MATT MCNALLY, who covered 280 of your script entries for the 2025 Channel 4 screenwriting
Hi There, This fortnight, some of the notes I made as I was reading script submissions for the 2025 Channel 4 screenwriting course. None of
Yes, it’s a cheery one. At the risk of being extremely depressing, I have been thinking, for various reasons, about death quite a lot
Hi There, It’s blindingly obvious that the most important thing for budding screenwriters is your writing – your ability to tell a story compellingly and
BIOPICS It seems to me that BIOPICS are one of the hardest genres to nail. There are just so many pitfalls to avoid with this